Rossall Hoard

Rossall Hoard

Put the kettle on, put your feet up, and enjoy a twisty-turny (and still unsolved) detective story which spans the centuries. Thanks to the Harris Museum and Art Gallery in Preston, we give you the story of the Rossall Hoard. (Photos in this article are all with thanks to the Harris Museum, Preston).

What is the Rossall Hoard?

The Rossall Hoard is a large group of 388 late Roman silver siliquae. They were minted at locations around France, Germany and Italy between c.355-402 AD.

  • In chronological order, this is the first emperor to be found on coins from the Rossall Hoard, Constantius II, on a coin from c.355-360 AD
    One of the Rossall Hoard coins, Emperor Constantius II, from c.355-360 AD
  • This is Constantius II successor, Julian II, on a coin from 363 AD
    One of the Rossall Hoard coins, Emperor Julian II, from c.355-360 AD
  • Followed by the emperor Valens, on a coin from 374-377 AD
    Emperor Valens, on a coin from 374-377 AD
  • This coin dates from the tail end of the hoard. It’s the emperor Honorius, the last emperor whose coins made their way to Britain before Rome’s withdrawal. It dates from 397-402 AD.
    Emperor Honorius from 397-402 AD


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They are amongst the last wave of coins the Romans ever supplied to Britain before the collapse of Roman administration around 410. The usurper Constantine III withdrew what remained of the Roman army in Britain away to the continent in order to fight the legitimate emperor, Honorius.

And here the story twists and turns…

It’s what you could call the ‘Rossall Hoard mystery’.

The coins which are held at the Harris Museum, bequeathed to them by the wealthy Brown family of Preston in the 1880s, don’t seem to be the authentic Rossall Hoard. That was found near Fleetwood in 1840.

It seems that the ‘real’ hoard disappeared into history in the wake of the bankruptcy of their first owner, Sir Peter Fleetwood-Hesketh, in 1844. The Harris is trying to track down the original hoard – do you know any helpful information?

The originals weren’t actually, well, original….

To confuse matters even more, the ‘real’ Rossall Hoard wasn’t a late Roman coin hoard at all. It included 400 silver denarii from the first to third century, ie totally different coins!

In 1844 when Rossall Hall and its contents were sold, the auctioneer mistakenly sold the fourth-fifth century AD hoard (which the Harris had on display) for the real Rossall Hoard. The Rossall Hoard was kept at Rossall Hall, alongside the rest of Sir Peter Fleetwood-Hesketh’s coin, medal and cameo collection.

It was only in 1883, when Dr. Charles Brown (son of the man who purchased the hoard at the sale in 1844) of the ‘Rossall Hoard’ donated it to the museum in Preston, that somebody noticed the hoard being donated was composed of fourth-fifth century coins. Not first-third century ones, as it was meant to! (are you keeping up so far?)

Where did the ‘real’ Rossall Hoard go?

In the intervening years between 1844 and 1883, it’s any guess where the genuine Rossall Hoard ended up.

There are a number of possibilities:

  • it could have been broken up by the auctioneer and sold in individual packets,
  • or it could have been retained by the family. But they don’t seem to recall this ever having happened.

No one really knows where the fourth-fifth century hoard of siliquae came from. Sir Peter, or one of his family members, must have picked them up – perhaps at a sale. It’s very unlikely to have come from Lancashire, though. Hoards of this date and composition are normally found in the southern counties of England. It is British, though – coin clipping was a particularly British phenomenon.

The family have no archives relating to the purchase of anything matching this description, making the detective work even trickier.

Rough Guide to the Rossall Hoard

If you lost that somewhere in the middle, in summary:

1. A hoard of Roman coins from 70-c.200 AD was found in the ground near Fleetwood.

2. They went into the ownership of Sir Peter Fleetwood-Hesketh at nearby Rossall Hall

3. In 1844 he went bankrupt, sold the hall, and all its contents. Including his large coin collection, of which the Rossall Hoard formed but one part.

4. The auctioneer mistakenly identified the current hoard of Roman coins from c.355-402 AD as the Rossall Hoard. With no surviving paperwork, family documents, or auction records we cannot know for definite where this hoard came from, or when the Fleetwood-Heskeths acquired it.

5. Alderman Brown of Preston bought them at the auction, having no reason not to believe they weren’t the genuine Rossall Hoard found in 1840.

6. He passed them on to his son, Dr. Charles Brown, upon his death.

7. Dr. Brown donated them to the museum in Preston (then at Cross Street) in 1883.

8. 1887 is the first recorded mention of somebody noticing that the dates of the coins didn’t match up to the original reports from 1840. So this couldn’t be the Rossall Hoard that everybody believed it to be.

Rossall Hoard Exhibition

The Rossall Hoard was on display at the Harris Museum at the end of 2014 and into 2015. The entire hoard was photographed, catalogued, and prepared for display. The then exhibition covered several of its most interesting aspects.

Rossall Hoard on Display at the Harris Museum
Rossall Hoard on Display at the Harris Museum

Coin clipping. Like most hoards of its date, Rossall has been extensively attacked by coin clippers, who took silver from the coins to produce imitations. They were coins made to look and feel exactly like the official coins the Roman state used to supply before the end of Roman control.

In this respect the Rossall coins straddle two worlds – the Roman and the post-Roman. They show how people tried to continue supplying themselves with ‘Roman style’ coins after they had ceased to be a part of the empire.

Mint mistakes and die-links. Particular mis-struck and die-linked coins shed light on the way Roman coins were produced in the later empire. They were minted in astonishing numbers. Die-linked coins were coins made using the very same mould.

Matt, their project curator, sent the photos of the display used in this article.

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